爱德华·阿什福德·李，现任伯克利工业CPS研究中心主任，曾任加州大学伯克利分校电子工程与计算机科学系主任，现为该系Robert S.Pepper特聘教授。主要研究方向是嵌入式与实时计算系统的设计、建模和模拟。他是嵌入式系统领域的知名学者，也是CPS研究的倡导者和引领者之一。Lee教授分别于耶鲁大学、MIT及UC Berkeley获得本科、硕士及博士学位。他共有《嵌入式系统：CPS方法》等专著8部。他是IEEE Fellow，获IEEE杰出技术成就与领导奖、美国NSF总统青年科学家称号以及弗雷德里克·特曼工程教育奖。

爱德华·阿什福德·李，现任伯克利工业CPS研究中心主任，曾任加州大学伯克利分校电子工程与计算机科学系主任，现为该系Robert S.Pepper特聘教授。主要研究方向是嵌入式与实时计算系统的设计、建模和模拟。他是嵌入式系统领域的知名学者，也是CPS研究的倡导者和引领者之一。Lee教授分别于耶鲁大学、MIT及UC Berkeley获得本科、硕士及博士学位。他共有《嵌入式系统：CPS方法》等专著8部。他是IEEE Fellow，获IEEE杰出技术成就与领导奖、美国NSF总统青年科学家称号以及弗雷德里克·特曼工程教育奖。

In his compelling follow-up to The Rise of the Creative Class, Richard Florida outlines how certain cities succeed in attracting members of the 'creative class' - the millions of people who work in information-age economic sectors and in industries driven by innovation and talent.

Should digital technology be viewed as a new life form, sharing our ecosystem and coevolving with us? Are humans defining technology, or is technology defining humans? In this book, Edward Ashford Lee considers the case that we are less in control of the trajectory of technology than we think. It shapes us as much as we shape it, and it may be more defensible to think of techno...(展开全部)

Our epoch is an epoch of decadence. Bourgeois-christian-plebeian civilization arrived at the dead end of its evolution a long time ago. Democracy has arrived! But under the false splendor of democratic civilization, higher spiritual values have fallen, shattered. Willful strength, barbarous individuality, free art, heroism, genius, poetry have been scorned, mocked, slandered. A...(展开全部)

In the seven essays of Cities and the Creative Class - four of which have been previously published - Richard Florida outlines how certain cities succeed in attracting members of the "creative class." This class, roughly speaking, is composed of the millions of people who work in information-age economic sectors and in industries driven by innovation and talent. Cities that su...(展开全部)

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of mo...(展开全部)

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of mo...(展开全部)

The fourth edition of an authoritative overview, with all new chapters that capture the state of the art in a rapidly growing field. Science and Technology Studies (STS) is a flourishing interdisciplinary field that examines the transformative power of science and technology to arrange and rearrange contemporary societies. The Handbook of Science and Technology Studies provides...(展开全部)

Science and Technology Studies is a flourishing interdisciplinary field that examines the creation, development, and consequences of science and technology in their cultural, historical, and social contexts. The New Handbook of Science and Technology Studies provides a comprehensive and authoritative overview of the field, reviewing current research and major theoretical and me...(展开全部)